Lars Doucet: Some Required Reading for ANY Metaverse Company Hoping to Make It Big, and a Voice of Reason in the Current Metaverse Hype Cycle

If you really want your platform to become the seed for “The Metaverse”, then you need to give it away.

—Lars Doucet
If you want to make a mint off the metaverse (and especially if you dream of being the next Roblox), you’d better be listening to what Lars Doucet has to say! (image source: Photo by Jason Leung on Unsplash)
Lars Doucet
(image source)

Lars Doucet is an independent game developer and consultant for various multi-million dollar game projects (through his company, Level Up Labs), as well as a games industry analyst, commentator, and blogger at Fortress of Doors.

On July 1st, 2021, Lars wrote a Fortress of Doors blogpost titled So You Want to Compete with Roblox, which is primarily directed at those companies who desire to become the next billion-dollar-valued metaverse platform (Roblox, as many of you already know, obtained a market valuation of UA$41.9 billion when the company went public this past March). However, much of Lars’ wisdom also applies to any social VR platform or virtual world that wants to break into the big leagues, especially if they are competing against an entrenched front-runner in a particular market segment, so I decided to write up this blogpost as an introduction to Lars’ ideas for my regular readers (if you’re not interested in my thoughts, just click over to read Lars Doucet’s blogpost in full; I have links to other content of his at the tail end of this post).

Lars starts off by dashing any dreams of would-be Roblox competitors, saying that they are too late to try and overtake something which has been building for years:

I used to get so many pitches from startups eager to knock PC gaming powerhouse Steam off its block, that in 2018 I wrote one big standard response called So You Want to Compete with Steam, with a follow-up a year later. The dust has now settled and the result is clear: all of the new contenders failed but Epic, and even they have a long upward climb ahead of them.

Flash forward to today, and my inbox is stuffed with pitches from start-ups wanting to compete with Roblox, that plucky Lego-ish multiplayer game-creation platform currently valued at 41 billion dollars.

So I guess we’re gonna do this again. Here’s how you can build a successful business that competes directly with Roblox: DON’T.

I say this out of love: the vast majority of you are going to fail. I admire you and your hard work and dedication; I’m pessimistic simply because your task is incredibly hard.

First of all, you are late to this party. Roblox first launched in 2006a full fifteen years ago – that’s five years before Minecraft, if you can believe it. They have a massive head start and are playing by an entirely different set of rules. Your only chance is to flip the entire problem on its head.

Lars outlines three components which absolutely must be in any product that tries to make a dent in the ever-evolving metaverse, they are:

  • High quality multiplayer support for user creations out of the box
  • High performance servers with excellent reliability
  • Powerful, user friendly, and joyful creation tools

Note a couple of the words he uses very carefully. “Multiplayer” support for user creations out of the box means the ability to support collaborative creation of user content (an example of this are the user creation toolset in NeosVR, although I would argue that they are not particularly “user friendly”, as they are powerful, but also have a rather steep learning curve). Many social VR platforms still lack collaborative building tools, or any sort of in-world building tools, forcing content creators and world builders to use external tools like Blender and then import 3D models.

Note also Lars’ reference to “joyful” creation tools—in other words, make it FUN to create something. From what I understand, one of Horizon Worlds’ strengths is its content creation tools, which are apparently easy and fun to use. Do this part especially well, and you will empower your userbase to create wonderful worlds, which attracts new users, who then also become content creators—it becomes a virtuous circle.

Then, Lars tackles each of the selling points of products who say they are going to be the next Roblox, “but with…”, harshly but accurately poking holes in the arguments. I’m not going to quote this section in my blopost; it’s better if you go over there and read it in full yourself.

He then talks about how Roblox spends a lot of money on hosting and network infrastructure, and how cloud provider costs (e.g. AWS) can eat up a significant chunk of cash as your platform grows. He then discusses what he sees as the three big problems you’ll face as a metaverse platform creator:

First Problem: Chicken-or-the-Egg Deadlocks

Which comes first, the chicken or the egg? (Photo by Grace O’Driscoll on Unsplash)

Lars states:

One of the key themes of So You Want to Compete With Steam was a nasty paradox best articulated in Joel Spolsky’s Strategy Letter II: Chicken and Egg problems, which also applies to would-be Roblox competitors:

• You need players
• Players won’t show up without content, so you need creators
• Creators won’t show up until you have players

Joel points out that you can’t expect this deadlock to solve itself – instead you need to just go out there and deliver a truckload of chickens or a truckload of eggs. Typically this means spending a lot of money. Anyone able to rely on organic growth alone started ages ago and that door is now closed to you.

Note particularly that last sentence, which I am going to repeat in bold for those of you who still don’t get it: ANYBODY ABLE TO RELY ON ORGANIC GROWTH ALONE STARTED AGES AGO AND THAT DOOR IS NOW CLOSED TO YOU. I have repeated versions of this statement on my blog until I was blue in the face, and few of the newer social VR platforms have been paying any attention.

Linden Lab’s fatal mistake with Sansar (one of many) is that they 100% expected that they would be able to build a high-end social VR platform with a in-world currency and an integrated marketplace for user-generated content, just put it out there, and expect it to sell itself! What worked for Second Life in 2003 most assuredly did NOT work for Sansar in 2017. A last-minute, hail-Mary pass. pivoting from social VR to a live events platform, essentially failed, and Linden Lab landed up selling Sansar to Wookey. At present, Wookey has suspended all development and furloughed all its staff. Millions and millions of dollars† were sunk into a platform which is currently on life-support, hanging on by a thread, and could be unplugged at any moment. Say a prayer for Sansar; it could use one.

Lars Doucet advises:

Seed your platform with awesome material by paying your own employees to build beautiful creations. Hire contractors and independent content creators and then pay your staff to train them in your tools. Pay these people to make tutorials and guides and videos and post them all over the internet and don’t stop. Set up an affiliate system with creator and influencer rewards. And that’s just the obvious stuff – you need to be thinking about new and innovative solutions to this problem 24/7. Pay any and every price to get high quality content onto your platform.

Second Problem: Platform Dynamics

Here Lars differentiates between different kinds of platforms, from open to closed:

On one end you have open platforms like the World Wide Web where each of the five aspects is owned by no one but the commons.

Towards the middle you have different kinds of closed platforms like Windows and Steam where certain components of the stack are proprietary, but others are unowned; the owner either refrains from (or is simply unable) to capture most of the value that creators produce on the platform.

On the far end are digital company towns, proprietary platform stacks privately owned from top to bottom. In the physical world company towns are communities where a single corporation is not only the sole or principal employer, but also owns all the housing and stores – the company is your boss, your landlord, and even your grocer. Total ownership grants the company power over not only every aspect of their workers’ lives, but also their families and the entire local economy. Digital company towns likewise squeeze as much value out of creators as possible.

And he makes the point that Roblox is a company town, controlling the creation tools (Roblox Studio), the playback engine (the Roblox app), the discovery methods (the Roblox discovery portal), and the marketplace (items can only be bought and sold using Robux through the Roblox Marketplace, with all financial information managed by Roblox). While it might look tempting to set up wannabe Roblox competitors using the same model, Lars makes it very clear in his article that this is a tactical error:

Look, I know some of you as customers actually like company towns from giant companies like Apple precisely because they’re locked down and you trust the platform holder. Good for you, sincerely! You are more than welcome to continue liking them as a customer. But this article isn’t addressed to you; it’s addressed to startups who think they can deploy this kind of vertically integrated stack without already starting from a position of strength.

Simply put, if you’re trying to build a Roblox competitor in 2021 under the company town model, you’re delusional. You should not build a company town for two very good reasons:

1. Company towns are bad, and you shouldn’t do bad things*
2. It’s way, way, way too late to succeed with this strategy

So, if you can’t rigidly control everything in order to compete against the entrenched front-runner(s), what can you do? Lars suggests giving something away:

Give people a reason to build on your platform. Make them owners, not tenants.

What should you give away? Well, that depends on your specific situation, but I recommend “as much as you possibly can.” Recall the five components of a platform:

• Creation tools
• Playback engine
• Discovery methods
• Marketplace / transaction engine
• Relationship with the customer

Again, I’m going to refer you to Lars’ blogpost for more details.

Third Problem: Ownership and Trust

Building trust with content creators is key (Photo by Jannis Lucas on Unsplash)

Platforms tend to follow a certain kind of life cycle, and there’s no better primer than Dan Cook’s Game of Platform Power. In it he outlines how platforms transition through “Growth” and “Engage” phases where they are friendly and generous to the creators who produce value on their ecosystems, before maturing into the “Extract” phase where they leverage their size and power to lock-in users and capture as much creator-produced value for themselves as possible.

A classic example of this is Second Life, which is now merrily coasting along, collecting fees for the sale of in-world land and currency, still going strong at the ripe old age of 18 with a locked-in, relatively small but highly passionate userbase who resist leaving their friends and communities behind to join other virtual worlds. For example, it’s hardly a surprise that Linden Lab, now owned by the deep-pocketed Waterfield Network investment group, has recently raised its fees for buying Linden dollars. Second Life is a cash cow, and they are rightfully milking it!

And Lars makes what I think is a somewhat counterintuitive, very nervy, and potentially game-changing suggestion on how to build that trust with content creators: make it easy for them to pack up and leave!

No matter how generous your platform is today, content creators aren’t dumb, they know how this works, and they’re being exploited right now by company towns like Roblox. Words are cheap. What they want is assurance. Trustless assurance. And no, I’m not talking about blockchain.

You really want to shake things up? Give content creators a loaded gun pointed at your platform’s head.

Another word for this is “exit rights.” If you want creators to come over in the first place, give them the power to leave anytime they want.

Mind. BLOWN. I can see how Lars Doucet is a highly-paid and in-demand consultant, just for these few paragraphs of advice alone! However, I would also add that we need to see some metaverse interoperability and standards before we can really put this into action. However, Lars makes a rather compelling case for doing at first what sounds like corporate suicide, using companies such as Substack as an example of how and why such an approach works.

Lars wraps up by dispelling some common myths about what is the “metaverse” (for example, that the metaverse cannot and should not be owned by any one person or company). And he wraps up by saying that anybody who wants to become the next Roblox is embarking on a wild, crazy, risky venture—but that “simply the riskiest thing to do is to play it safe.”

As I said in my blogpost title, this is some harsh advice that many commercial social VR platforms probably don’t want to hear, but should definitely read through at least once.

You can read more of Lars’ wisdom and advice on his blog, called Fortress of Doors (here’s his recommended reading list), and by following him on Twitter.


*As an aside, Lars wraps up his Fortress of Doors blogpost with the following highly-accurate-but-snarky observation:

That’s not to say someone fundamentally can’t craft a “Dark Metaverse” under the company town model. It’s just that their name is Facebook, it will be a dystopian hellhole, and you don’t have a chance of competing on those terms.

🙌 PREACH, LARS! 🙌

†More specifically, 75 million dollars (US) over four years, according to this Sansar Wookey Investor Fact Sheet, which is attached to the publicly-accessible LinkedIn profile of Wookey CEO Mark Gustavson:

Part of the Sansar Wookey Investor Fact Sheet

This is the first time I have shared this figure on my blog. Mark and his V.P. are currently the only two Wookey employees left on the payroll; as I have said above, all the rest of the Wookey staff have been furloughed.

UPDATED! Facebook Horizon Rebrands, Drops Support for Unity-Based Worlds

Today Facebook announced that it was rebranding its still-in-closed-beta social VR platform, from Facebook Horizon to Horizon Worlds. This move makes sense to me; attaching the name “Facebook” to anything the behemoth company wants to promote is probably a smart PR move, given the recent level of notoriety of their brand and the battering of their public image.

And it would appear that Facebook (which earned a staggering US$86 billion in 2020) is willing to put a microscopic fraction of that income towards encouraging content creators on the newly-renamed platform. According to an official announcement:

When we launched Horizon’s invite-only beta last year, we started to build a creator-friendly space in VR with best-in-class social world-building tools. We’ve spent the past year developing those tools and improving them based on creator feedback. These early creators have grown the social experiences on the Horizon platform, and we’ve been amazed by their imagination and creativity on display. We’re excited to do more to support them, so starting today, we’re launching new initiatives to recognize the efforts of Horizon creators and continue to grow the creator and developer community. 

We’re announcing a $10 million Creator Fund to encourage more people to come build with us as we continue rolling out Horizon in beta. And as we grow the social experiences that are part of Horizon, we’re rolling out a new name for this experience: Horizon Worlds. 

The US$10 million will be distributed through community competitions, via its Creator Accelerator Program, and funding for developers, studios or creators who wish to partner with Facebook. Ian Hamilton of UploadVR reports:

Overall, then, two years after its initial launch Facebook is honing Horizon Worlds around its VR-based creative community with the $10 million creator fund to be doled out through community competitions, an accelerator program, and funding for developers who agree to build for Horizon according to Facebook’s suggested theme.

Facebook said it would add more people to the testing release of Horizon Worlds throughout the rest of 2021.

“We fully expect ticketed events, we fully expect people to be asking for gifting of goods, trading of goods, buying digital goods and items, as well as of course experiences themselves, so subscriptions inside of these experiences themselves,” said Sharma. “I having nothing to announce today in terms of exact features that we’re working on, but if you take a look at what the family of apps at Facebook already support, it’s a pretty good line that we already have the capabilities other places that we can tie all of these things together into a nice bow for our creators.”

There’s a couple of interesting things in Ian’s report that I wish to highlight.

First, that Facebook would continue its “testing release of Horizon Worlds throughout the rest of 2021”. In other words, don’t expect the platform to open up to the general public before 2022. You may speculate for the reasons for that delay. My sources who have visited the social VR platform in person tell me the same two things, over and over again:

  • Horizon Worlds has fantastic in-world building tools (similar in many ways to the prim-building tools in Second Life, where many metaverse content creators got their start); and
  • Horizon Worlds is having difficulty building, maintaining, and moderating its community. Many tell me the platform is deserted, which might be an indication of how few people they have let into the closed beta-testing phase. However, it might also be because people visit, wander around, get bored, and leave (call it “Sansar syndrome”).

Second, please note carefully that the funding is for developers “who agree to build for Horizon according to Facebook’s suggested theme”. Hear that? It’s the sound of potential developers running for the exits. Facebook wants firm control over what kind of worlds you build, and they are willing to dictate themes. From the official announcement:

If you’re a developer, studio or creator and you’re interested in partnering with us for funded opportunities to create experiences for Horizon in a particular theme, you can sign up to learn more about the next set of themes.

Yes, that’s right…Facebook won’t even tell you about the themes unless you sign up. As someone who, on moral principles, refuses to have anything to do with Facebook products and services from now on, I’m not even going to bother. Those of you who have chosen to have their personal data strip-mined for profit by signing off on Facebook’s data and privacy policies can inform me as to what the corporate-approved themes are, mmmkay? Thanks 😉

So, while Facebook might slap a fresh coat of paint on its flagship social VR platform, and throw some of the spare change from Mark Zuckerberg’s couch cushions at content creators, there is, as Vivek Sharma (Vice President of Horizon at Facebook Reality Labs) states in the UploadVR article, “nothing to announce today in terms of exact features that we’re working on”.

Ian Hamilton also reported on Facebook dropping support for Unity:

When the social service was first showcased for Oculus Quest in late 2019 it supported worlds made in Unity which were noticeably more complex and engaging than those made in VR using Facebook’s tools. Unity is the most popular game engine among developers and, alongside Roblox, Rec Room and Epic Games, the companies are on a short list of efforts to build powerful yet easy-to-use tools for interactive 3D virtual world creation. Facebook tried to acquire Unity in the past and the acquisition would’ve given the advertising giant a key toolset that would push many creators to work with the social media company. Instead of selling, though, Unity went public on the stock market in late 2020.

“We don’t have any plans [for] direct Unity-level development on top of Worlds, but absolutely as a VR developer you can build on top of Unity and bring that experience, whether its a game or something else, over to Oculus through the Oculus app store,” said Vivek Sharma, VP of Horizon at Facebook Reality Labs.

As always, I will continue to monitor the situation over at Facebook, and report on developments. You can find all my blogposts about Facebook Horizon, now called Horizon Worlds, here. (I will update the tag later today.)

UPDATE 2:33 p.m.: Right after I published this post, DreamDance, a member of the RyanSchultz.com Discord community, told me:

Ok, so I contacted many friends just now; according to them there was never Unity world-building in Horizon…I don’t like Horizon, but I think he [Ian Hamilton] got stuff mixed up.

(I did obtain DreamDance’s permission to attribute the quote to him/her.)

UPDATE 3:17 p.m.: Ian Hamilton has responded to my inquiry, saying:

Here’s Tested reporting the same thing I did in 2019 — that we were shown by Facebook a world in Horizon made in Unity.

Also, I apologize for saying that Ian Hamilton worked for VRScout in my original blogpost…this error has been corrected. (Sorry, Ian!)