While I was busy blogging about other platforms, the music performance social VR platform TheWaveVR has renamed itself to, simply, Wave. (I will retag all my blogposts about TheWaveVR to date with the new tag Wave so they will still be easy to find.)
In the past, innovative musical artists such as Imogen Heap have performed in concerts on the social VR platform:
Electronic violinist Lindsey Stirling is putting on a new kind of interactive virtual concert, performing live to fans in avatar form. The concert, put on in collaboration with streaming platform Wave, will take place at 3 p.m. (EST) on Monday 26 August.
Stirling will perform through her avatar, powered by art body motion and face capture technology. Fans will also be able created their own avatars and attend the virtual show by downloading the Wave virtual reality (VR) app, supported by HTC Vive and Oculus Rift…
The show, streamed live from Wave’s Los Angeles studios, will be available to watch live via the artist’s YouTube channel and Facebook page, or Wave’s Twitch channel. Fans that miss the live performance can watch it back for 24 hours after premiere time.
In a video posted to Stirling’s official Twitter account, the musician can be seen wearing what appears to be an XSens 3D motion capture suit and Manus VR Gloves. This device captures Stirling’s movements and translates them into VR in real-time, allowing her to perform complex dance routines just as she would in real-life. While Stirling will be performing the entirety of the show, she’ll be doing so as her character “Artemis,” goddess of the moon and the protagonist of her latest album.
There’s been a very interesting discussion taking place today on the RyanSchultz Discord server. One of the regular contributors to the many conversations that take place there, Michael Zhang, pulled together the following information from Crunchbase:
Today I Learned: Building social VR, MMOs, and virtual worlds are a lot more expensive than I imagined!
-High Fidelity raised $72.9 million over five rounds and is struggling with their recent pivot to enterprise. -Rec Room raised $29 million over two rounds, $24 million only recently, so they lived off of $5 million for several years. -Altspace raised $15.7 million over three rounds, went bankrupt and shut down, then revived when bought by Microsoft. -Bigscreen raised $14 million over two rounds. -TheWaveVR raised $12.5 million over three rounds. -vTime raised $7.6 million over one round. -VRChat raised $5.2 million over two rounds. -JanusVR raised $1.6 million over two rounds. -Somnium Space raised $1 million over two rounds.
-Epic Games raised $1.6 billion over two rounds, $1.25 billion coming after Fortnite. -Mojang’s Minecraft launched in 2003, started making profits in 2007, earned $237.7 million in revenue by 2012, and sold to Microsoft for $2.5 billion. (Wikipedia) -Roblox raised $187.5 million over seven rounds. -Linden Lab’s Second Life raised $19 million over two rounds.
Then, another contributor named Jin put together this graph to illustrate how successful the various social VR platforms have been in raising venture capital (please click on this picture to see it in full size on Flickr, or just click here). As you can see, High Fidelity is far and away the leader in raising money!
(In comparison, Decentraland raised 24 million dollars in their initial coin offering. Jin also made a second chart including Decentraland, but I have not included it here because, unlike the other platforms, it does not currently support VR, and it is unlikely to do so anytime in the near future.)
Thank you to Michael Zhang and to Jin for their work!
I was very recently invited to join a Facebook group called Cefima, which was started by the Norwegian Film School. The purpose of the group is to explore immersive narratives, and a recent post to this group alerted me to a great editorial blogpost by the Norwegian architect, 3D artist and VR designer Kim Baumann Larsen.
This afternoon I spent an hour hanging out with legendary French electronic music pioneer Jean-Michel Jarre, and together we watched an amazing never seen before and impossible to do in real life VJ set with other fan girls and boys. It was a social VR experience in TheWaveVR and the DJ and VJ was Sutu Eats Flies, famous in his own right for his gigs on this emerging social music VR platform. You would think there would have been hundreds, if not thosuands of fans of Jarre’s music attending such an event that enabled anyone to walk up to the legend, to become virtually friends with him and to casually converse, but the instance I was in contained merely a couple of dozen of people.
With both Sansar and VRChat recently available on Steam, the latter being the by far largest platform for social VR, figures are emerging that show just how few people are in a social VR at a given moment. While Steam is not the only distribution platform for VR, there is Oculus of course and several of the apps can be launched outside of Steam and Oculus, the numbers are quite telling. On Steam this past Sunday 9 people were seen in High Fidelity, 12 in Altspace VR, 62 in Sansar, 79 in Bigscreen (Beta), 340 in RecRoom, and 8098 in VRChat.
He goes on to speculate on the reasons for this:
Ask most any one who is working in virtual reality where the future is for VR and most will say that while it is hard to speculate and give a definitive answer it will most certainly involve some kind of social VR. So why aren’t people flocking to these experiences then? The first problem is that VR gear is still rather expensive and the power of VR and of social VR in particular can’t be understood unless it is experienced first hand. The problem with that is that there aren’t many places one can experience it in public and most people doesn’t happen to have a friend or colleague with VR gear nearby.
The second problem is that we have become accustomed to asynchronous communication via platforms like Facebook, Twitter and SMS being the de facto way of communicating long distance and media-on-demand is how most people fit entertainment into their increasingly busy life. Meeting up virtually at specific days and times it seems requires too much of an effort.
And, I must admit, I myself had not thought too much about the synchronous nature of social VR and how we have as a society become more accustomed to asynchronous forms of communication like Facebook and Twitter. As for the cost, I do believe that that is only a temporary problem, as the cost of VR equipment keeps decreasing over time.
UPDATE Dec. 18th: Tech blogger Robert Scoble commented on a cross-posting of this blogpost to the Virtual Reality group on Facebook, raising another good reason that people don’t like social VR: the obnoxious behaviour of trolls.
I got offered a sex act within seconds of arriving in one. Most people are tired of interacting with strangers. For that reason and others.
I have blogged about this topic previously: Why Women Don’t Like Social VR. Culture and behaviour researcher Jessica Outlaw has done market research which shows that some women avoid social VR precisely because they feel vulnerable and, at times, unsafe. This is still a topic which is not really getting the attention it deserves, in my opinion.
As many of you already know, Oculus is releasing a new, standalone VR headset, the Oculus Quest, sometime this coming spring, 2019. Priced at just US$399, it is sure to be a popular option for people who are interested in VR, but who don’t want to purchase a more expensive VR headset solution like the HTC Vive and Oculus Rift.
If the Oculus Quest becomes very popular, those social VR platforms which can run on the Quest hardware may gain an advantage over those which require a full-blown VR headset and a higher-end computer.
I think it’s safe to assume that Facebook/Oculus properties such as Facebook Spaces and Oculus Rooms (or at least some version of them) will be available for the Oculus Quest on its launch date. Social VR platforms with simpler avatars and spaces, which already run on the Oculus Go (like AltspaceVR, Bigscreen, and vTime) will probably also be available for the Quest.
Surprisingly, Rec Room, TheWaveVR, and VRChat are notamong the social VR programs that are currently available for the Oculus Go ( I searched for them on the Oculus Go apps store and could not find any mention of them.) It remains to be seen if the companies behind those three products will release versions which will run on the more powerful Oculus Quest.
We are definitely going to get High Fidelity running on as many standalone devices as we can, and we love the Quest. VR will not find a large audience until the Quest and other devices (like the Mirage and Vive Focus) become widely available.
Talking to Oculus about the process now… stay tuned.
When asked for to provide a more recent update, Philip added:
Yes, we are working on the Quest, and hope to have High Fidelity ready to run on it for launch! Very high quality device.
I also don’t know what Sinespace’s exact plans are for the Oculus Quest, but Adan Frisby, their lead developer, said on a Facebook comment when I cross-posted this blogpost over there:
We’ll be fine with it too – anyone doing Android support will have an easier time of it.
So it looks like High Fidelity and Sinespace will indeed both be working with the Oculus Quest, if not right at launch date, then shortly thereafter. This gives them both an advantage over Linden Lab’s Sansar, which very likely will notbe able to work with the Quest. There’s still a lotof data that has to get sent to and from a VR headset to properly render Sansar experiences (especially for any experience which has global illumination enabled), which would probably completely overload any standalone headset.
As I often say: interesting times ahead! Let’s hope that the Oculus Quest makes a big splash and brings even more people into VR. A rising tide lifts all boats, and many social VR platforms would benefit from greater consumer awareness and uptake of virtual reality in general. And I promise to cover all of it as it happens on this blog!
VRChat was just announced for the Oculus Store. While it already worked with Oculus on Steam, [the] OculusSDK version of VRChat means it will almost certainly be ported to Oculus Quest when it comes out, making it the first metaverse-style game available for wireless/unteathered/portable VR.
Sadly, I don’t think VRChat’s gonna support Quest. It’s just not compatible with mobile CPUs. Hell, it brings modern up-to-date PC’s to a standstill with too many people. I very much doubt the Snapdragon 835 can handle all the custom shaders, avatars, IK, etc. The team would basically need to do a full rewrite. And that’s unlikely unless the team was way bigger.
It does sound as though VRChat would have to be pared down significantly in order to run on the Oculus Quest, if at all.
I also noticed that I have received a lot of traffic to this blogpost due to this post on the OculusQuest subReddit (which I had never heard of before today). If anybody over there has any inside information on social VR/virtual worlds that will launch with the Quest, I’d certainly love to hear about it! Thanks.