Two Recent Video Essays on the Metaverse: Straszfilms Looks at There.com, and Dan Olson Dissects Decentraland

I have a great deal of respect and admiration for those people who create metaverse-themed video essays and documentaries on YouTube. I simply don’t have the time and energy at this point in my life to fiddle with video editing software, and I don’t particularly consider myself photogenic enough to put my face on your screen! So today, I want to introduce you to two new (and very different!) documentaries about the metaverse, by two creators whom I admire.


A little over a year ago, I blogged about Straszfilm’s thoughtful and nostalgic video essay on Active Worlds, which can be considered the granddaddy of virtual worlds, founded on June 28th, 1995, and somehow still limping along 27-¾ years later. Well, Strasz (a.k.a. Chris Hornyak) is back with a second video essay about another almost-forgotten virtual world, There, in a video cleverly titled Nobody’s There: The First Failed Metaverse (I wrote about There on my blog here). And, as a fellow virtual worlds nerd myself, I really enjoyed it!

There has to go down as one of the worst possible names for a virtual world—something which becomes rapidly apparent when you try to search on Google for it. In his video essay, he compares and contrasts There with another virtual world started around the same time, Second Life. I recommend Strasz’s video because of his insightful commentary on why There ultimately failed, tying the discussion to Second Life and to the newer NFT metaverse platforms. Here’s a representative extract (but watch the whole 45-minute video, it’s great!):

It is utterly bizarre to me to look back on this almost two decades later for a bunch of interconnecting reasons. Obviously, the concept of buying digital goods isn’t new or interesting now. But in 2003, it absolutely was. Almost bizarrely so. It’s wild to read journalists fawning over buying Levi’s for your avatar [in There] in a time when buying actual Levi’s online was so new. It’s almost unbelievable, and I mean that in a very literal sense. So, just for a second, imagine taking that out-there idea and then deciding that you were going to build an online 3D chat program on it in 2003…While this sort of thing is a little more acceptable today, it’s still readily mocked, and for a pretty good reason. I was recently interviewed in Esquire for a story about virtual fashion in the metaverse. During that discussion, the concept of NFT clothing came up, or just metaversal clothing in general.

Fashion is expression. With it you can quickly communicate who you are to the world…Yet, in the real world, that expression is always a bit limited…On the internet, especially in 3D social places, you were free from those boundaries. You can be anything, you can wear anything. And yet, it’s in that context that folks have stood back, folded their arms, and gone, “Hey, what people really want to do is own things.” It’s so utterly bizzare to think that, in the period I’m writing this, places like Decentraland and The Sandbox are being widely mocked for the very same sort of attitude. These places took one look at past and current virtual spaces that exist, and essentially just tossed all the creativity and novelty to the side, somehow coming out the other end thinking that the most important part of a seemingly post-scarcity virtual world is owning something…

To be clear, I don’t think that there’s anything wrong with designers being paid. When someone in Second Life makes a piece of clothing for others to wear, or someone makes a model in VRChat, I think it’s important that those people get paid for their labour. Yet, when a big fashion brand comes in, it feels like you’re not paying for their handiwork, but rather the opportunity to paste a digital logo on your avatar. I mean, at least with IRL fashion, outrageous pricing is justified by craftsmanship, aesthetic leadership, small product runs, and exotic materials. But here, in this 3D space, there is limitless possibility, and we’re deciding to celebrate that by selling branded jean textures?

Of course, none of this worked. It didn’t work in There, and it isn’t working now. It would be fair to say that, in the last few months, the NFT market has just completely cratered. Just like with There, creators of these new technologies seem to have missed the part about people having to want to spend money before they, well, spend money. You have to be making something desirable before actual humans want to buy it.

There, as well as every metaverse/NFT/Web3 project or whatever, both fundamentally made the same mistake. They just didn’t pause to try and understand why people will dress up their avatars, or spend time in these spaces. It’s not just the peacock, it’s because it’s fun! It’s expression in its purest form. It’s finding your, well, YOU, then hanging out with other people who were doing the same.

In other words, it’s about the community and community-building first, with fashion as a secondary add-on, not the other way around! Second Life started as a place for people to gather, make friends, and form communities first. I was around during the big corporate boom in 2007 when companies like Playboy trooped into SL, set up shop, and tried to sell branded products. In all cases, these companies eventually left, because they didn’t understand what Second Life was all about. First you have to have places like role-play communities spring up, which then organically leads to things like stores selling medieval role-play outfits! Putting the sales cart before the community horse (for example, in Decentraland) doesn’t tend to lead to engaging metaverse platforms, which keep people coming back.


Speaking of Decentraland, last night I watched the latest documentary by Dan Olson, whose YouTube channel, Folding Ideas, is well-known for his year-old video critique on blockchain, cryptocurrencies, and non-fungible tokens (a.k.a. NFTs), titled Line Goes Up, which has racked up over 10 million views to date. Dan’s latest video essay is a nearly two-hour-long documentary about Decentraland titled The Future is a Dead Mall – Decentraland and the Metaverse, and it’s two hours very well spent!

Dan’s documentary, split into six chapters, is an intelligent dissection of the concept of the metaverse in general, and Decentraland in particular. He is obviously extremely well-read, citing a wide variety of sources, including Ryan Bolger’s concept of reified space and Johan Huizinga’s concept of the “magic circle”, in this video. Dan is someone who has clearly put a lot of research into this work, and it shows!

Like Straz, Dan casts a very critical eye upon recent corporate forays into the metaverse, remarking on Lindt’s virtual chocolate store in one section of his video as follows:

…[T]he whole of it is elevated to transcendental when you see the actual thing that they’re describing: a laggy, hideous, cheap, faux-3D website that would probably be a camp hit if it were pitched instead as a throwback to FMV video games from the 90s….The vast majority of these so-called metaverse offerings are virtual spaces only insofar as they are painted to resemble a store. We already tried this 25 years ago, and discarded it because it turns out the human brain can shop from a list of items or a grid of photos far better than in can from an imagemap photo of a display case.

However, the main part of this documentary is a devastatingly detailed critique of everything that’s wrong with Decentraland. Having followed the Decentraland saga almost from the beginning back in 2018 on my blog, I already knew most of this, but it’s a truly a joy to watch Dan do such a wonderful job of pulling everything together into such a neat package, with a bow on top! I highly recommend this documentary.

Among other topics, Dan Olson discusses the many corporate (mis)adventures in Decentraland, as well as a lawyer’s office that is really nothing more than a (presumably) expensive three-dimensional brochure with links to outside websites like Facebook. He critiques the Decentraland Report news site at great length. He also talks about marquee events such as the Metaverse Fashion Week and the Metaverse Music Festival, and he takes a whole chapter in his video essay to dissect, at length, Decentraland’s somewhat byzantine DAO or governance structure.

Dan sums up his tour-de-force opus with the following summary, again referring to Huizinga’s magic circle:

So the authors of Decentraland, its creators and users, paint a magic circle around it with a narrative of inevitability, a narrative of the metaverse, a narrative of a true, separate, new world that you will eventually move your life into. Because if your neighbours aren’t going to eventually be compelled to be here tomorrow, why would you ever want this today?

Decentraland is, at every level, a collective fairy tale. Just people playing pretend… Whether it be the Pedigree Fosterverse scraping data from Adopt a Pet, users playing lawyer in their corporate offices or purporting to be the future of news, Decentraland’s value to businesses is patently absurd. And, as we’ve seen, even its decentralized premise is a fantasy. The DAO has no authority and is comically hapless—content to play politics, all the while pretending they have a stake in a billion dollar product. And it’s not enough to convince themselves, they need to convince you. So that is what they do by any means necessary. They will pander, mislead, outright lie—whatever it takes for you to buy into their narrative. Because this only makes sense from inside the circle.

Decentraland is a farce and a tragedy. It is painted into a corner by a combination of ineptitude and inherently bad ideas, and it cannot escape its fundamental being. Whatever other ideals are spit out, whatever rhetoric about liberation or political experimentation is employed, the simple fact that it was materially born as a pre-sale of lots of “land” based on a fiction of people “moving in” sets off a chain of decisions and incentives about design and functionality that bind it, forever, to being little more than a fantasy real estate scheme, an endless world of uniquely scarce dead malls.

So, go pop some popcorn, perhaps grab some wine to go with it, and settle in for a some entertaining and enlightening videos about the metaverse! And please, leave a comment on the videos, and tell’em Ryan sent you. 😉

Uncommon Realities: The 16th Annual Virtual Worlds Best Practices in Education (VWBPE 2023) Conference Takes Place in Second Life, March 23rd to 25th, 2023

The theme of VWBPE 2023 conference is Uncommon Realities

Once again this March, the Virtual Worlds Best Practices in Education conference (VWBPE for short) will take place in Second Life, running from March 23rd to 25th, 2023. According to the EventBrite description of the conference:

This year, we celebrate Virtual Worlds Best Practices in Education’s 16th Annual International Conference on Education in Virtual and Augmented Reality. The main conference takes place March 23-25, 2023, with immersive experiences happening two weeks before and after the main event.

Virtual Worlds Best Practices in Education is a global grassroots community event focusing on education in immersive virtual environments. This open conference is organized by the education community to provide an opportunity to showcase the learning that takes place using virtual and augmented environments. Educators and content creators alike are encouraged to attend, present, and take part in this discussion of collaborative deeper learning and co-presence in virtual worlds and games.

To the best ability possible, VWBPE provides educational and networking opportunities that are relevant to educational curriculum development utilizing virtual environments and “best practices”.

These include

  • helping to build community through extension of learning best practices to practical application of those ideas and techniques;
  • providing networking opportunities for educators and the communities that help support education; and
  • providing access to current innovations, trends, ideas, case studies, and other best practices for educators and the communities that help support education.

Over 1,200 people from 30 countries attended our last conference in March 2022. In just the past several years, over 200 hours of video footage has been captured and has been made available free to the academic community in addition to other video broadcasts, with thousands of views.

Virtual Worlds Best Practices in Education is a meaningful way for presenters to share their research and experience about the rich learning systems in virtual worlds and games. This free online conference is produced entirely by volunteers.

According to their mission statement, taken from the VWBPE website:

This open conference is organized by the Second Life community to provide an opportunity to showcase the learning that takes place using virtual worlds. Everyone is encouraged to present, attend and take part in this discussion of collaborative deeper learning and co-presence in virtual worlds and games…

Over 2,000 attendees representing 90 countries participate in 150-200 online presentations including theoretical research, application of best practices, virtual world tours, hands-on workshops, discussion panels, machinima presentations, and poster exhibits. You do not have to be a formal academic to participate.

While the VWBPE conference proceedings are apparently published as the Journal of Virtual Studies published by Rockcliffe University Consortium, my Firefox web browser threw up a security warning when I tried to access the journal’s webpage:

Indeed, Rockcliffe University Consortium (a gold-level sponsor of VWBPE, and a primary organizer of the conference) is a “university” which, as far as I am aware, exists only within the virtual world of Second Life, as opposed to an accredited, real-world university. According to their website:

Rockcliffe is a registered non-profit C-Corp in the United States, however we are not a 501(c)3. Structurally, we are organized along the lines of a B-Corp. The organization is made up completely of volunteers. The entire organization is a collection of global SOHO [small office/home office] locations tied together through a common technical infrastructure that serves as a proxy for a brick and mortar location. While the majority of our volunteers are from the United States, Rockcliffe also [has] volunteers based in Canada, the United Kingdom, France, and Australia.

While those who seek the reassurance of academic rigour and scholarly structure might turn up their noses at a self-proclaimed Second Life “university” with a glitchy journal website, I would remind you that the current organization also embraces those virtual world educators and researchers who might otherwise feel excluded from a professional, academic conference. And I can attest that I have attended some truly excellent presentations at previous VWBPE conferences over the past 15 years, such as this 2021 talk by Dr. Marie Vans about social VR.

So I would encourage you, who perhaps might never have heard of the Virtual Worlds Best Practices in Education conference before, to consider attending this year. The final conference agenda has not been published yet, but you can already register for free for VWBPE 2023 via EventBrite. VWBPE 2023 organizers are also looking for volunteers (more information and a volunteer sign-up form are here).

You can visit the VWBPE website for more information. If you need to set up a Second Life avatar to attend VWBPE 2023, just visit the Second Life website and click on either of the places indicated by the red arrows (or just go here):

Setting up a Second Life avatar/account is easy

And if you should need a little help getting your Second Life avatar looking presentable and fashionable while spending as few Linden dollars as possible, well, Auntie Ryan has got you covered. 😉

See you at VWBPE 2023!

Attending to a Long-Delayed Project: An Updated Comparison Chart of Popular Social VR Platforms, Plus an Updated Metaverse List/Index

Yes, I am herding cats again: organizing metaverse platforms! (some context)

Starting today, I am tackling a couple of tasks which I have been putting off for far, far too long.

The first task is updating a now-dated comparison chart of popular social VR platforms, which I had originally compiled in 2019, and which Dr. Fran Babcock updated quite a bit in 2021 (Thanks, Dr. Fran!). The second and related task is updating my sprawling (and also somewhat dated) list of virtual worlds, social VR, and/or metaverse platforms! The latter also functions as a sort of index to all the blogposts I have ever written about the various platforms, and so it serves two purposes: a metaverse list, plus an index-cum-aide-memoire for this longtime blogger!

I will be taking some research days (mostly, successive Mondays) from my regular job as a university librarian to devote to these projects. It will likely take me the rest of this winter and probably well into spring to do this work. Thank you for your patience as I head out to herd cats!

Editorial: New Year, New Directions, Part II—How I Plan to Cover Blockchain Metaverse Platforms Going Forward

Photo by Pierre Borthiry – Peiobty on Unsplash

There is simply no better place to watch as the dominoes fall in the beleaguered world of cryptocurrencies, blockchain, and non-fungible tokens (NFTs) than the cryptosnark subreddit, r/Buttcoin (tagline: “ButtCoin. It’s a scam. At least we’re honest about it!”).

And it was there where I learned that the latest domino had fallen—Genesis Trading, a crypto lender forming part of Barry Silbert’s Digital Currency Group (DCG), filed for bankruptcy:

Crypto lender Genesis filed for Chapter 11 bankruptcy protection late Thursday night in Manhattan federal court, the latest casualty in the industry contagion caused by the collapse of FTX and a crippling blow to a business once at the heart of Barry Silbert’s Digital Currency Group.

The company listed over 100,000 creditors in a “mega” bankruptcy filing, with aggregate liabilities ranging from $1.2 billion to $11 billion dollars, according to bankruptcy documents.

A list of the 50 largest unsecured creditors was leaked, and it turns out that both of the co-founders and the current Chief Financial Officer of blockchain metaverse Decentraland are owed an eye-watering US$55 million. Crypto news website The Block reports:

Virtual world platform Decentraland has not one but three of its executives and founders listed among the 50 largest non-insider unsecured claims against Genesis Global, the crypto lender that filed for bankruptcy protection on Thursday.

Decentraland CFO Santiago Esponda drew attention after his Decentraland email address was listed in court filings as the contact for Heliva International, a Panama-based company owed $55 million by Genesis. But a closer look reveals that Decentraland’s two co-founders are also listed in the documents with non-Decentraland email addresses.

Esteban Ordano, a Decentraland co-founder who now acts as an adviser, is listed as the contact for an entity called Winah Securities. Genesis owes Winah, which is located on the same floor in the same building as Heliva, almost $27 million. Ordano told The Block that Winah has no relationship with Decentraland.

Gaming company Big Time Studios is owed $20 million. It’s run by Ari Meilich, Decentraland’s other co-founder. He started Big Time in 2020 but also remains a Decentraland adviser. Meilich declined to comment. 

Which brings me, in a roundabout way, to the point of this particular editorial: how I will be covering blockchain-based metaverse platforms going forward on this blog.

In a previous editorial, I explained that I was substantially cutting back on my coverage of Second Life, to refocus my blog on virtual reality in general, and social VR in particular. Likewise, I have also decided that I will no longer be writing about any blockchain-based metaverse platform unless it incorporates virtual reality. According to my comprehensive and reasonably up-to-date list of virtual worlds and social VR, the only platforms which incorporate blockchain technology (cryptocurrencies and/or NFTs) and support virtual reality are three:

  • NeosVR (a social VR platform with an associated cryptocurrency called NCR, which was planned to be the in-world currency but has not been incorporated; please note that Neos does not have NFT-based virtual real estate, or use NFTs at all)
  • Sensorium Galaxy (this ultra-high-end social VR platform uses the SENSO cryptocurrency to purchase avatars in their online store; as far as I am aware, Sensorium Galaxy does not use NFTs)
  • Somnium Space (a blockchain-based virtual world that supports VR, with a cryptocurrency and NFT-based real estate)

All the other blockchain metaverse platforms I have written about on this blog (including the one that first attracted my attention, Decentraland) are either flatscreen virtual worlds which do not support virtual reality, or they have not yet launched (and, in the current crypto nuclear winter, are increasingly unlikely to do so; the only exception being The Sandbox, which is still in extended alpha testing).

And (as illustrated by my initial anecdote about the Decentraland co-founders and executive entangled in the Celsius bankruptcy case), those platforms which had the great good fortune to launch well before the current crypto carnage, are possibly still entangled in the web of interconnected crypto companies lending and borrowing from each other, in highly speculative cryptocurrencies whose actual value is based only on what the next greater fool is willing to pay for them. In particular, those who purchased overpriced NFT-based real estate on such platforms as The Sandbox, Somnium Space, and yes, even pioneering Decentraland, are going to find it very difficult, if not impossible, to make any sort of profit off their investments.

And one only has to observe the travails which NeosVR has gone through, after a cyncial pump-and-dump instigated by cryptobros, to see how a social VR project with such technical promise can be hamstrung by attaching a cryptocurrency to it. There has, to my knowledge, been no active development on the platform in over a year, and it is unclear what 2023 holds for NeosVR. It breaks my heart and it angers me.

While I will continue to follow the current crypto winter shenanigans as an interested (and bemused) observer, I have decided that I will no longer be writing about any blockchain metaverse unless it has launched, and it supports virtual reality. In particular, I will no longer waste my time (and your patience) writing about all the blockchain metaverse projects which consist of little more than an .io website, a Telegram or Discord channel, and a white paper long on hand-waving, but short on actual technical details. Enough with the bafflegab and bullshit.

If you happen to actually launch a product which incorporates blockchain in some way (cryptocurrencies and/or NFTs), and it supports users in a VR headset, then I will gladly write about it. Otherwise, I’m no longer interested.

Stick a fork in it; it’s DONE. (Image by Pete Linforth from Pixabay)

UPDATE 4:43 p.m.: Well, well, well…another news nugget I gleaned from the r/Buttcoin subreddit: AsiaMarkets.com is reporting this evening that the mighty SWIFT global financial network will, as of Feburary 1st, 2023, no longer process fiat currency transfers from bank accounts to cryptocurrency exchanges, if they are worth less than US$100,000:

The SWIFT payments network has made an extraordinary decision that will have widespread implications on cryptocurrencies.

Asia Markets can reveal SWIFT will no longer process fiat currency transfers from bank accounts to cryptocurrency exchanges, with a value of less than US$100,000, effective from February 1, 2023.

The move will thwart cryptocurrency access to tens of millions of people worldwide.

One of the first crypto giants to notify users of the development this weekend, has been the world’s largest exchange, Binance.

“The banking partner that services your account has advised that they are no longer able to process SWIFT fiat (USD) transaction for individuals of less than $100,000 USD as of February 1, 2023. This is the case for all their crypto exchange clients,” said Binance.

“Please be advised that until we are able to find an alternative solution, you may not be able to use your bank account to buy and sell crypto with USD via SWIFT with a value of less than $100,000 USD.”

Time to go get more popcorn; this three-ring circus is just getting started!

UPDATE Jan. 25th, 2023: It turns out that my previous update is not as all-encompassing as it first was reported! Amy Castor and David Gerard write in David’s blog, Attack of the 50-Foot Blockchain, today:

Binance sent a notice to customers that starting February 1, their banking partner, Signature, would not be processing SWIFT transfers of less than $100,000.

Retail customers of Binance have until the end of the month to get their US dollars off the exchange. After that, their money is stuck.

Rumors are swirling around this — not helped by an early news report (rapidly corrected) claiming that the SWIFT system itself was cutting off all crypto exchanges. Here are the facts that we know so far:

  • Binance is cut off from Signature for transactions below $100,000.
  • Signature’s other exchange customers have not said they’re affected, and we haven’t seen their customers saying so either.
  • We haven’t heard of other banks putting such a condition on Binance or another exchange.

So it’s so far just Binance, via Signature.

Still, it is significant that Binance, the biggest cryptobroker still standing, is facing such a stringent sanction by one of its banks. (By the way, Attack of the 50-Foot Blockchain is well worth following, for its expert analysis of the ongoing crisis in crypto!)