Lars Doucet: Some Required Reading for ANY Metaverse Company Hoping to Make It Big, and a Voice of Reason in the Current Metaverse Hype Cycle

If you really want your platform to become the seed for “The Metaverse”, then you need to give it away.

—Lars Doucet
If you want to make a mint off the metaverse (and especially if you dream of being the next Roblox), you’d better be listening to what Lars Doucet has to say! (image source: Photo by Jason Leung on Unsplash)
Lars Doucet
(image source)

Lars Doucet is an independent game developer and consultant for various multi-million dollar game projects (through his company, Level Up Labs), as well as a games industry analyst, commentator, and blogger at Fortress of Doors.

On July 1st, 2021, Lars wrote a Fortress of Doors blogpost titled So You Want to Compete with Roblox, which is primarily directed at those companies who desire to become the next billion-dollar-valued metaverse platform (Roblox, as many of you already know, obtained a market valuation of UA$41.9 billion when the company went public this past March). However, much of Lars’ wisdom also applies to any social VR platform or virtual world that wants to break into the big leagues, especially if they are competing against an entrenched front-runner in a particular market segment, so I decided to write up this blogpost as an introduction to Lars’ ideas for my regular readers (if you’re not interested in my thoughts, just click over to read Lars Doucet’s blogpost in full; I have links to other content of his at the tail end of this post).

Lars starts off by dashing any dreams of would-be Roblox competitors, saying that they are too late to try and overtake something which has been building for years:

I used to get so many pitches from startups eager to knock PC gaming powerhouse Steam off its block, that in 2018 I wrote one big standard response called So You Want to Compete with Steam, with a follow-up a year later. The dust has now settled and the result is clear: all of the new contenders failed but Epic, and even they have a long upward climb ahead of them.

Flash forward to today, and my inbox is stuffed with pitches from start-ups wanting to compete with Roblox, that plucky Lego-ish multiplayer game-creation platform currently valued at 41 billion dollars.

So I guess we’re gonna do this again. Here’s how you can build a successful business that competes directly with Roblox: DON’T.

I say this out of love: the vast majority of you are going to fail. I admire you and your hard work and dedication; I’m pessimistic simply because your task is incredibly hard.

First of all, you are late to this party. Roblox first launched in 2006a full fifteen years ago – that’s five years before Minecraft, if you can believe it. They have a massive head start and are playing by an entirely different set of rules. Your only chance is to flip the entire problem on its head.

Lars outlines three components which absolutely must be in any product that tries to make a dent in the ever-evolving metaverse, they are:

  • High quality multiplayer support for user creations out of the box
  • High performance servers with excellent reliability
  • Powerful, user friendly, and joyful creation tools

Note a couple of the words he uses very carefully. “Multiplayer” support for user creations out of the box means the ability to support collaborative creation of user content (an example of this are the user creation toolset in NeosVR, although I would argue that they are not particularly “user friendly”, as they are powerful, but also have a rather steep learning curve). Many social VR platforms still lack collaborative building tools, or any sort of in-world building tools, forcing content creators and world builders to use external tools like Blender and then import 3D models.

Note also Lars’ reference to “joyful” creation tools—in other words, make it FUN to create something. From what I understand, one of Horizon Worlds’ strengths is its content creation tools, which are apparently easy and fun to use. Do this part especially well, and you will empower your userbase to create wonderful worlds, which attracts new users, who then also become content creators—it becomes a virtuous circle.

Then, Lars tackles each of the selling points of products who say they are going to be the next Roblox, “but with…”, harshly but accurately poking holes in the arguments. I’m not going to quote this section in my blopost; it’s better if you go over there and read it in full yourself.

He then talks about how Roblox spends a lot of money on hosting and network infrastructure, and how cloud provider costs (e.g. AWS) can eat up a significant chunk of cash as your platform grows. He then discusses what he sees as the three big problems you’ll face as a metaverse platform creator:

First Problem: Chicken-or-the-Egg Deadlocks

Which comes first, the chicken or the egg? (Photo by Grace O’Driscoll on Unsplash)

Lars states:

One of the key themes of So You Want to Compete With Steam was a nasty paradox best articulated in Joel Spolsky’s Strategy Letter II: Chicken and Egg problems, which also applies to would-be Roblox competitors:

• You need players
• Players won’t show up without content, so you need creators
• Creators won’t show up until you have players

Joel points out that you can’t expect this deadlock to solve itself – instead you need to just go out there and deliver a truckload of chickens or a truckload of eggs. Typically this means spending a lot of money. Anyone able to rely on organic growth alone started ages ago and that door is now closed to you.

Note particularly that last sentence, which I am going to repeat in bold for those of you who still don’t get it: ANYBODY ABLE TO RELY ON ORGANIC GROWTH ALONE STARTED AGES AGO AND THAT DOOR IS NOW CLOSED TO YOU. I have repeated versions of this statement on my blog until I was blue in the face, and few of the newer social VR platforms have been paying any attention.

Linden Lab’s fatal mistake with Sansar (one of many) is that they 100% expected that they would be able to build a high-end social VR platform with a in-world currency and an integrated marketplace for user-generated content, just put it out there, and expect it to sell itself! What worked for Second Life in 2003 most assuredly did NOT work for Sansar in 2017. A last-minute, hail-Mary pass. pivoting from social VR to a live events platform, essentially failed, and Linden Lab landed up selling Sansar to Wookey. At present, Wookey has suspended all development and furloughed all its staff. Millions and millions of dollars† were sunk into a platform which is currently on life-support, hanging on by a thread, and could be unplugged at any moment. Say a prayer for Sansar; it could use one.

Lars Doucet advises:

Seed your platform with awesome material by paying your own employees to build beautiful creations. Hire contractors and independent content creators and then pay your staff to train them in your tools. Pay these people to make tutorials and guides and videos and post them all over the internet and don’t stop. Set up an affiliate system with creator and influencer rewards. And that’s just the obvious stuff – you need to be thinking about new and innovative solutions to this problem 24/7. Pay any and every price to get high quality content onto your platform.

Second Problem: Platform Dynamics

Here Lars differentiates between different kinds of platforms, from open to closed:

On one end you have open platforms like the World Wide Web where each of the five aspects is owned by no one but the commons.

Towards the middle you have different kinds of closed platforms like Windows and Steam where certain components of the stack are proprietary, but others are unowned; the owner either refrains from (or is simply unable) to capture most of the value that creators produce on the platform.

On the far end are digital company towns, proprietary platform stacks privately owned from top to bottom. In the physical world company towns are communities where a single corporation is not only the sole or principal employer, but also owns all the housing and stores – the company is your boss, your landlord, and even your grocer. Total ownership grants the company power over not only every aspect of their workers’ lives, but also their families and the entire local economy. Digital company towns likewise squeeze as much value out of creators as possible.

And he makes the point that Roblox is a company town, controlling the creation tools (Roblox Studio), the playback engine (the Roblox app), the discovery methods (the Roblox discovery portal), and the marketplace (items can only be bought and sold using Robux through the Roblox Marketplace, with all financial information managed by Roblox). While it might look tempting to set up wannabe Roblox competitors using the same model, Lars makes it very clear in his article that this is a tactical error:

Look, I know some of you as customers actually like company towns from giant companies like Apple precisely because they’re locked down and you trust the platform holder. Good for you, sincerely! You are more than welcome to continue liking them as a customer. But this article isn’t addressed to you; it’s addressed to startups who think they can deploy this kind of vertically integrated stack without already starting from a position of strength.

Simply put, if you’re trying to build a Roblox competitor in 2021 under the company town model, you’re delusional. You should not build a company town for two very good reasons:

1. Company towns are bad, and you shouldn’t do bad things*
2. It’s way, way, way too late to succeed with this strategy

So, if you can’t rigidly control everything in order to compete against the entrenched front-runner(s), what can you do? Lars suggests giving something away:

Give people a reason to build on your platform. Make them owners, not tenants.

What should you give away? Well, that depends on your specific situation, but I recommend “as much as you possibly can.” Recall the five components of a platform:

• Creation tools
• Playback engine
• Discovery methods
• Marketplace / transaction engine
• Relationship with the customer

Again, I’m going to refer you to Lars’ blogpost for more details.

Third Problem: Ownership and Trust

Building trust with content creators is key (Photo by Jannis Lucas on Unsplash)

Platforms tend to follow a certain kind of life cycle, and there’s no better primer than Dan Cook’s Game of Platform Power. In it he outlines how platforms transition through “Growth” and “Engage” phases where they are friendly and generous to the creators who produce value on their ecosystems, before maturing into the “Extract” phase where they leverage their size and power to lock-in users and capture as much creator-produced value for themselves as possible.

A classic example of this is Second Life, which is now merrily coasting along, collecting fees for the sale of in-world land and currency, still going strong at the ripe old age of 18 with a locked-in, relatively small but highly passionate userbase who resist leaving their friends and communities behind to join other virtual worlds. For example, it’s hardly a surprise that Linden Lab, now owned by the deep-pocketed Waterfield Network investment group, has recently raised its fees for buying Linden dollars. Second Life is a cash cow, and they are rightfully milking it!

And Lars makes what I think is a somewhat counterintuitive, very nervy, and potentially game-changing suggestion on how to build that trust with content creators: make it easy for them to pack up and leave!

No matter how generous your platform is today, content creators aren’t dumb, they know how this works, and they’re being exploited right now by company towns like Roblox. Words are cheap. What they want is assurance. Trustless assurance. And no, I’m not talking about blockchain.

You really want to shake things up? Give content creators a loaded gun pointed at your platform’s head.

Another word for this is “exit rights.” If you want creators to come over in the first place, give them the power to leave anytime they want.

Mind. BLOWN. I can see how Lars Doucet is a highly-paid and in-demand consultant, just for these few paragraphs of advice alone! However, I would also add that we need to see some metaverse interoperability and standards before we can really put this into action. However, Lars makes a rather compelling case for doing at first what sounds like corporate suicide, using companies such as Substack as an example of how and why such an approach works.

Lars wraps up by dispelling some common myths about what is the “metaverse” (for example, that the metaverse cannot and should not be owned by any one person or company). And he wraps up by saying that anybody who wants to become the next Roblox is embarking on a wild, crazy, risky venture—but that “simply the riskiest thing to do is to play it safe.”

As I said in my blogpost title, this is some harsh advice that many commercial social VR platforms probably don’t want to hear, but should definitely read through at least once.

You can read more of Lars’ wisdom and advice on his blog, called Fortress of Doors (here’s his recommended reading list), and by following him on Twitter.


*As an aside, Lars wraps up his Fortress of Doors blogpost with the following highly-accurate-but-snarky observation:

That’s not to say someone fundamentally can’t craft a “Dark Metaverse” under the company town model. It’s just that their name is Facebook, it will be a dystopian hellhole, and you don’t have a chance of competing on those terms.

🙌 PREACH, LARS! 🙌

†More specifically, 75 million dollars (US) over four years, according to this Sansar Wookey Investor Fact Sheet, which is attached to the publicly-accessible LinkedIn profile of Wookey CEO Mark Gustavson:

Part of the Sansar Wookey Investor Fact Sheet

This is the first time I have shared this figure on my blog. Mark and his V.P. are currently the only two Wookey employees left on the payroll; as I have said above, all the rest of the Wookey staff have been furloughed.

The 2021 Raindance Immersive Awards Ceremony: A List of All the Winners

I’m a sucker for awards shows (the Oscars are like the gay Super Bowl to me!). So I was in my element as I watched the two-part 2021 Raindance Immersive Awards, which were hosted in the social VR platform VRChat, with audiences also watching the livestream in-world in both AltspaceVR and NeosVR, as well as remotely on YouTube (the videos are below).

The Raindance Film Festival is the largest and most important independent film festival in the U.K., showcasing features, shorts, web series and music videos by filmmakers from the U.K. and around the world to an audience of film executives and buyers, journalists, film fans and filmmakers.

Powered by HTC VIVE’s Viveport and VRChat, this year’s Raindance Immersive (October 27th to November 21, 2021) comprised immersive VR games and experiences competing for jury awards, as well as the Spirit of Raindance Awards, which are selected by the festival team. Raindance is the only film festival in the world to recognize and award VR on such a scale, so this was a major event!

The Raindance Immersive Awards ceremony for 2021 was in two parts. The first part was held yesterday. The cameraman for the event was my friend (and the co-producer of the upcoming second season of the Metaverse Newscast), the talented social VR videographer Carlos Austin.

If you have never visited VRChat, I think that this 1-hour-and-40-minute video is your prefect introduction! You really get a sense of the wonderful variety and diversity of avatars which are available in VRChat, as well as a good look at the Embassy virtual world where the ceremony takes place.

Carlos deftly steers his camera around the avatars milling about and chatting with each other at the very beginning, before the event starts, and it feels as if you were in a cocktail party, overhearing bits and snippets of conversations! I loved it. (If you want to skip right to the awards ceremony proper, it starts at the 27:56 minute mark, and it runs until the 1-hour-and-13 minute mark, followed by an afterparty.)

The awards handed out in Part 1, in order, were (all links go to the description page on the Raindance Immersive website, with a promo video and more information):

The second half of the awards ceremony was today; it was again filmed by Carlos Austin (the awards ceremony proper starts at the 46:50 mark in the video if you want to skip straight to that part):

The awards handed out in Part 2 of the ceremony, in order, were:

From Her to ME: A Gender-Affirming Surgery Fundraiser in Second Life, Nov. 22nd to Dec. 22nd, 2021

A memorial to those transgender people we have lost this year, at the From Her To ME event

Metaverse platforms are natural homes to transmen, transwomen, the non-binary, and the gender fluid, where you have the ability to choose how you are seen by other avatars. Many trans people take the first steps of their journey in a virtual world.

But while virtual worlds can be a haven to transgender people, they are not perfect, either. In November 2017, I wrote an extensive blogpost about how many virtual worlds and social VR platforms still tend to codify the male/female dichotomy as a hardset binary rather than a fluid concept. Still, many people who want to present as a different gender from the one they were assigned at birth seek out metaverse platforms where they can express themselves freely, without judgement or harassment, and where they can help build vibrant, diverse communities.

While I was in the Belle Epoque store in Second Life, doing their 6th anniversary hunt (see this blogpost for a view of some of the many lovely hunt gifts), I came across a poster on the wall which intrigued me, so I teleported over to the event titled From Her to ME, which opens Nov. 22nd, 2021 and runs until Dec. 22nd, 2021:

The From Her to ME event in Second Life s a fund-raiser for Danny, a transgender man who is getting top surgery (here’s his GoFundMe page; he wants to raise US$6,000 to reach his goal).

Up here in Canada, chest masculinization surgery is usually covered by our universal healthcare, but the overall situation could still use improvement, according to CTV News:

Transgender Canadians and advocates are calling on the federal government to implement comprehensive trans and gender-affirming healthcare coverage across the country…

As it stands, all provinces and territories offer various levels of care for transgender and non-binary individuals. But often barriers crop up within the first instance of trying to access that care, an issue advocates say is due to a lack of training, forcing trans and non-binary people to become experts in their own healthcare.

But, while the situation in Canada is far from perfect, it is still far better than in the United States, where thousands of transgender Americans like Danny have to pay out of pocket for often-expensive gender-affirming surgeries, and sometimes resort to opening crowdfunding pages on GoFundMe and similar services in an effort to raise the necessary funds.

Hence, the From Her To ME event in Second Life, where dozens of Second Life content creators are donating all or part of their sales towards the cause. Here, for example, Belle Epoque is selling two complete fatpacks of former gacha prizes, and donating 100% toward’s Danny’s GoFundMe campaign:

There are also special auctions, where the winning bidder gets a rare or even one-of-a-kind item, like this purple fantasy outfit from Belle Epoque, with the proceeds again going to Danny to help fund his top surgery (the auctions start when the event opens on November 22nd, 2021).

Here is your taxi to the From Her To Me event, which starts Nov. 22nd, 2021 and runs through to Dec, 22nd, 2021. Why not pay a visit (they’re already open early, although all the vendor booths are not set up yet), and see if anything strikes your fancy? Your Linden dollars will be going to a good cause!

UPDATED! Pandemic Diary, November 17th, 2021: Some Uplifting Music to Get Through Difficult Times

I am now in the third week of a union strike by professors, instructors, and librarians at my university, during the rising fourth wave of the coronavirus pandemic here in Manitoba, and having just been blasted with our first big dump of winter snow.

In other words, I am completely stressed out.

One of the reasons why I have been blogging almost exclusively about Second Life lately, and not about what’s going on in the broader metaverse, is that SL is my happy place, where I go to escape messy, chaotic, and painful reality. Second Life (plus the RuPaul’s Drag Race and Dragula franchises) are helping me stay sane and get through this time of high anxiety and high uncertainty!

I wanted to share a short playlist of five songs which I have been listening to, when I feel anxious, upset, and stressed. I know that many of you (including the faculty, staff, and students at my university) are feeling pretty stressed out as well, and I sincerely hope that listening to this uplifting music helps in some small way. Maybe you’ll even find a new song to help you get through the tougher times in your life!

YouTube Music: https://music.youtube.com/playlist?list=PLgsEMkuBXPb9EGepUhCOmpNwsyq77546i&feature=share

Spotify: https://open.spotify.com/playlist/173526c5AnIurL6sFH2MA3?si=360ddc00f51e4b95

Here’s my playlist:

Rise Up – Andra Day

This Is Me – Keala Settle

(Something Inside) So Strong – Labi Siffre

You Gotta Be – Des’ree

Proud – Heather Small

I hope this music cheers you up during your stressful times!

P.S. I am open to suggestions of other songs along this vein, so if you know of a great uplifting song that you think should be added to this playlist, please leave a comment on this blogpost, thanks!

UPDATE Nov. 19th, 2021: I have had another suggestion for another great song to add to my playlist. Thank you, Scott Forbes!

I Won’t Back Down – Tom Petty